Luke Whewall
I heard an owl
I heard an owl –
The dead of night –
The memory left
Then reappeared –
As clear as deer
In plain sight –
Its echoes pierced
The sky –
I saw a rebel –
A shirtless, gutless
Boy-racing
Wonder –
Tearing up
Streets –
No regard for
Anyone or anything;
No children
Crossing will
Stop him
In his tracks.
There he goes –
Window down,
Skirting, sniffing
White lines –
He cannot
Drive
For shit –
One rough,
Tough,
Man-child
Bastard.
Boy-racers:
Always angry
And
Never cool.
He is still
Somebody’s
Son, but
For how
Long?
The view from
My room is
Door frame
After
Door frame
After
Door frame:
Up the street,
Down the street:
Black/
White/
Yellow/
Red/
Olive green.
Door frames
Are discreet –
Door frames
Are for the
Living, not
The dead;
Door frames are
Like funerals;
They are
Private gateways
To sleep.
You leave for
Exercise,
Shopping
Alone –
Return alone –
Do not
Deviate.
Get in line
Like everyone
Else: two
Metres apart –
Wear a mask
If you please,
But refrain
From
National gain
And get a slap:
£60 fine
Reduced to
Thirty if
Paid,
Uncontested,
Within
Fourteen days
Of receipt.
Look out
For drones
Over Peaks,
Barbeques in
Coventry,
Front lawns in
Yorkshire -
Don’t go
On twice
In one day
Or the
Rozzers will.
I saw a bird –
Two, in fact –
Two intact
Birds –
Side-by-side –
Wing-to-wing –
Top of Maccies,
Closed –
The stench of
Death on
Hiatus:
Locked-down
Chicken death.
Even the
Seagulls
Look regal –
The gulls
Have taken
Over –
They can’t
Believe their
Luck –
They can’t
Be fined
Or shunned –
Only shot.
The windows
Of houses
Burn red –
As red as
Uluru
At dusk –
Yet the
Streets
Are silent
Still.
Inside they’re
Crawling
Walls in
Cabin fever
Dwellings;
The curtain
Call of the
Virtual quiz
Master is
Strong:
He steals
One last
Smile to
Camera,
Grinning
Like a
Clown,
And then
He is gone:
Same time
Next week?
Drops fall
Glibly
Down
Pane –
The feet of
My neighbour
Dance
In her
Window,
Rowing
Skywards
On imaginary
Inverted
Pedalo.
My mind is
Stripped –
Boredom
Sits alone –
Are there
Sad songs
Or
Sad minds –
Or
Both?
Fading light
And I
Lost
Sight
Of day –
The night
Draws in
Slowly
And without
Warning
And streets
Are silent
Still – and
Houses and
Windows and
Door frames and
Ward beds
Burn bright.
It’s 6 o’ clock
And they’re
Tuning in:
The daily
Numbered
Dead.
***
The owl
Stretches –
Oblivious –
Pirouettes,
And
Breathes
The clean
Night air.
This is a poem about isolation from isolation. It starts and ends with the owl – the owl has returned to the street – a temporary return, like clean air coming back to the neighbourhood. The owl is oblivious to the current plight of humanity, or is she? And the gulls? They lived among us and now we live among them – they fly free while our movements are confined to government-approved daily doses – and the city streets are theirs.
The poem questions where we are; place; identity; what we do to fill the time. It reveals the danger of limiting the mind to the issues of the neighbourhood in which one exists. It is a snapshot of a day but it races ahead like time, like the boy racer, unstoppable, barely pausing for breath.
The poem seeks to present the juxtapositions we currently face. The bird imagery is intentional – humans cannot cage and eat birds and then blame the bird for spreading the virus. It asks us not to think so selfishly.
The conclusion of the poem brings us back to the owl; oblivious, alive, awake.
Written by Luke Whewall
Luke is a thirty-something living in exile on the Bedminster/Southville border. Luke was born in Barnsley. His grandfather was a miner. Luke was born in the 80s, grew up in the 90s, and reached some form of adulthood in the 00s. Luke graduated in English. His passions include (but are not limited to): dogs; books; Barnsley Football Club; hedgehogs (RIP Winona; 2016-2019); Italy; coffee; pizza; the NHS; anything ever recorded by Bradford J. Cox.