This is part five of the Ataxia series. To read part four, click here
Read MoreI wrote ‘Owed Summer’ to remember what a Summer free of restrictions feels like, and how our generation is missing these shared experiences. It is also about how we grow, after living for so long without these experiences; touching friends, seeing live music, the pull of a communal pool of people.
Read MoreI wrote a similar poem years ago, called Another Generation. It was about a friend who was upset at herself for overspending on make up while in debt; that poem is embarrassingly outdated now, so I have re written it and changed it. This one adds in my recent efforts for minimising my life, both digitally and physically.
Read MoreRick paused, his hand on the doorknob, breathing in a slow, deep and deliberate breath. He knew, just knew, the way you sometimes do, deep in your guts, that the next few minutes were going to have an immense bearing on the rest of his life.
Read MoreI remember first reading Jay Bernard’s ‘Surge’ – and then reading it again, and again, and again. Not just because it was my assigned reading for that week of my module, but because the words struck such a powerful chord within me.
Read MoreZelda seems to be most remembered for being ‘Fitzgerald’s crazy, untamable wife’, rather than the impressive writer and painter she was in her own right.
Read MoreOpening up the first pages of The Bloody Chamber in my A-Level Literature class, I was not expecting to discover a lifelong love of Angela Carter, a writer who has had so much influence for me.
Read MoreTo read the first part of this series, ‘A Question Of Now’, click here.
Read MoreThey leant their bikes against the mouth of the cave, sheltering from the weather. The change from the breathing forest to the stagnant air in the cave was not particularly pungent but noticeable. From the mouth, the cave led off in a fairly straight direction and, in the dim light, the two women could just about see a smaller tunnel meandering off to the right.
Read MoreIt's been a year since the UK went into lockdown. We asked our contributors to submit their poetry they have written during this ‘unprecedented’ year.
Read MoreIt is enough
that Sarah wanted to walk.
To take her time through the night.
To go safely home.
Read More‘OK so we have to numb the area first before we start snipping. Are you OK with that?’
“Am I OK with that? Yes! Yes! Numb away! Please! Lot’s of numbing! Do not hold back on the numbing!”
Read MoreI’m a middle aged women, married to a wonderful man. We have gifted, talented, open-hearted daughters. I am loved by those who love me - and that is what matters.
Read MoreI am the self-consumer of my woes
They rise and vanish in oblivious host
Like shadows in love’s frenzied stifled throes
And yet I am, and live, like vapours tossed
Read MoreBrenda O’Lox sighed: she was conscious she’d sighed live on air but was getting a little fed-up.
Read MoreThe image of the Lady of Shalott sat in a boat, floating down the river to her death, famously captured the pre-Raphaelite imagination, successfully ticking all their boxes with Arthurian legend, the natural world and a mysterious, ethereal woman at the centre of the action. Personally, I adore ‘The Lady of Shalott’ for its fascinating, complex and multi-layered web of imagery and symbolism, that is just as bewitching today as it was to readers in the 1800s.
Read MoreThis was my fourth year attending the Bristol Poetry Institute’s Annual Reading. Normally, we would be gathered in the great hall of the Wills Memorial Building and, upon arriving barely on time, I would be sat in a row towards the back of the hall, rummaging around my rucksack for my glasses. This year, I was sat at my desk staring at a Crowdcast on my laptop with Claudia Rankine on my screen.
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