We’re bringing you the best live music venues across the UK with what our amazing music scene has been offering up lately.
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I was first introduced to the duo Giant Swan through their single 55 Year Old Daughter, which off the bat embodies this urgent energy. The song changed when I saw it live, my body pressed against strangers’, surging and compacting as one. Their intensely energetic live performances are a dialogue with the audience, allowing tracks to expand beyond their minutes.
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The live music and clubbing scene is all a bit different nowadays in the times of coronavirus. We all have to stay at home, but the music industry is doing all that it can to keep music coming to us if we can’t go to it, whilst we listen together, albeit apart. Here in Bristol, the Colston Hall has long been the lynch pin of the live music scene, and yesterday on Saturday 23rd May they took their festival The Bristol Takeover online.
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On Thursday the 2nd of April, Jonatan Leandoer Håstad (Yung Lean) emerged from the darkness at Stockholm’s Frihamnen harbour and beckoned the audience to follow him towards the back of a truck, parked up next to a Russian freight ship. Lean opened the door and revealed the interior, laden with burning candelabras, wall hangings, a dead tree decorated with dream catchers and various statues of animals.
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Where were you when Thursday’s exit poll was announced? I was in a mosh pit. It was a good place to be at that point in time, believe me, but I am old and it started to hurt, so I made my way to the side to check the news on my phone. I should have stayed in that mosh pit.
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Fresh off the back of the luscious four track EP ‘Sweet Dreams’ on Haŵs Records, Harrison BDP has been releasing an almost constant stream of top rate records for the last few years. Winner of DJ Mag’s 2018 Breakthrough Producer of the Year, he’s also a maestro behind the decks with a string of international bookings over the last 12 months.
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