Aibai’s tracks, talking of late nights, queer love, clubs and daydreams are filled with ambient, cinematic soundscapes reminiscent of electronic greats such as Odesza and Flume.
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Zouj, aka Adam Abdelkader Lenox, a French/Moroccan/American musician and producer, brought up in Paris, now based in Leipzig, has been making leftfield, playful waves on the European noise DIY scene
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We’re bringing you the best live music venues across the UK with what our amazing music scene has been offering up lately.
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Attacking an independent store merely because they want to target a wider demographic is unjustified. If Demi truly wanted to attack diet culture, she should have called out the large corporations who produce these items rather than small local businesses who have had enough economic losses due to the coronavirus pandemic.
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Ben Cura is a man of many talents. After spending many years in his youth travelling, he attended the New York Film Academy in Paris before graduating from the London Academy of Music and Dramatic Art. His back catalogue includes theatre work, director, producer, actor and, most recently, musician.
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Having made their base in Berlin in 2020, via Boston and New York, False Witness is taking the techno world by storm. The quality of their dark and empowering musical output is evident within seconds of hitting play and is backed up by their impressive CV of big-name collaborators and sets at some of the most iconic techno venues out there.
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Cringe itself is a clash of two things: self perception and the perception of others. There is more than one type of this clash though. Melissa Dahl talks about this duality in Cringeworthy: A Theory of Awkwardness, where she explores compassionate cringe and contemptuous cringe.
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Berlin-based, Argentinian born composer and musician Sebastian Plano started playing the cello at seven and began writing his own music at the age of eleven. A few years later he turned his back on the traditional music doctrines of his childhood, deciding he didn’t just want to play other people’s music and followed a more contemporary journey, forging his own path
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If you don’t already know Beacon Bloom, then get to know them. We had the absolute pleasure of speaking with front man, Ryan Ferris about their latest release, Nothing Here But You, the first ever NFT music video and future goals for regenerative festivals.
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With her newest single Supposed to Be out last month and her first headline show, since the pandemic began, coming up in July, 2021 looks to be a good year for Chrissie. We sat down with her to discuss what she’s been up to, what it was like performing at Glastonbury(!) and how music has helped her mental health.
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Producer & songwriter Ree has just released her debut EP Ree96. She reflects upon how interpersonal relationships are contorted by and interface with digital media and the EP promises an intimate look at companionship & human connection in a digital era where distance still matters, geographic or emotional.
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Ahead of her takeover of the magazine’s Instagram on Thursday 10th June, we sat down with AMIKA and talked about her songwriting, being inspired by The Slumflower, asking for what you want in life, her recipe for nurturing a creative space and the joy of alone-ness.
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But festival sets are another thing. They are not just the music, they are everything else in between. Conjuring up memories of the whole weekend and where it fits into the story of your life - who you were with, the weather, the sets you missed, the people you met, the journey there and the journey home, the comedown.
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Festivals aren’t always just about the music. Your make-shift campsite, the people you camp with, the people you meet and the things you share are all part of the experience too. However, watching live music and discovering new bands are definitely what makes a festival memorable.
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Fusing a gritty, grunge-infused aura with traditional folk-inspired musicality, Naz & Ella channel their anger and frustration at the world through tightly wound harmonies and intricate guitar riffs.
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Raina Sokolov Gonzalez is a Brooklyn based singer and composer with her musical roots deep in the New York free jazz scene and a wealth of musical experience already under her belt.
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I was trying to cook and needed something to listen to but for all the marvels of the modern world, with every song ever written at my fingertips, I could not choose. Did I want something sad, or would that make it worse? Happy, or would that feel false? Could I cope with new music, or would that exhaust me? The answer was simple: radio.
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Music allows me a special kind of freedom, it unlocks a deep corner of my imagination and gives me physical symptoms for just how much I love it - I’m talking goosebumps, shivers and smiling ear to ear. The kind of things that if you did them on a public bus people would move very far away. A lot further than two metres I’m telling you. (Not that I know from experience or anything.)
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Treasure’s sound doesn’t easily fit into any boxes. His eclectic music tastes and obvious joy in subverting the norm shine through; a left field and intelligent take on trap, r&b and hip hop, visiting glitchy jazz, playful production and soulful harmonies along the way.
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When I say to think of a drummer, I guarantee you that the image of them will be a white male. Your inner feminist will fight it but you’re not to blame, we can blame the patriarchal society we all live in.
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